In Implemente IV, Hicks explores the mystical, symbolic, and anthropological dimensions of blacksmithing. He focuses on revealing the creative process as both an ancient craft and a contemporary form of inquiry. Central to the exhibition is the dynamic interplay between masculine and feminine forces, expressed through the fundamental properties of the metal itself.
Iron, traditionally associated with Mars, embodies structure, strength, and rigidity. Copper, associated with Venus, is luminous, malleable, and ethereal. Through his distinctive forging technique, Hicks explores the coexistence of these materials: steel provides structure and order, while copper provides fluidity and softness. Their interdependence becomes a metaphor for human relationships, the balance between tension and harmony, and the point of contact between the earthly and the immaterial.
The works in this collection reflect the universal principles governing matter, craftsmanship, and connections. Each sculpture is a contemporary artifact, referring to humanity’s earliest traditions of toolmaking—when fire, iron, and imagination first shaped the world of our ancestors. Each strike of the hammer becomes a conversation with the distant past, and each fold in the metal is a record of that exchange.
Implement is both a tribute to the ancient craft of blacksmithing and a testament to its enduring relevance as a language of form, function, and myth.




















